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The astounding rapper, entrepreneur, philanthropist, Mo'mbewing, popularly know as Ngoma releases his much-awaited debut EP titled “CAM NO GO”, introducing a retro-futuristic polyglot rap style which he calls “Jwe’Te”. It’s soothing, ethereal, and soul searching, yet Pancho’s vocals are so raw you can’t help but connect to his aspiration for greatness.

The EP advocates for the "UNWANTED to become WANTED", with interlinked lyrics about the struggles of a young black boy from Awing, going through different facets of life. He’s at his peak on “CURFEW”—expressing his paranoia with precision and a touch of Cameroonian, Bantou and pop culture on uplifting Dijay Karl beats. From the first verse, you’re arrested by the synchronization of wordplay from English, Ngemba, Pidgin, to French with courtesy of Hip-Hop, Afrobeats, Makossa and Folkore which marinates on tracks like Letterhead, Penya and Drip.
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